Staff Reports
Robert Adam, a Canadian country singer who proudly labels himself as “non-binary femme,” has made a bold—and frankly, revealing—decision to boycott the United States as a performance venue all because Donald Trump is back in the White House. This is the latest chapter in the growing saga of woke virtue signaling that’s strangling the American spirit and, more importantly, the American entertainment industry.
What’s striking here is Adam’s claim that he feels too “stressed” by the prospect of crossing the border under Trump’s administration, worried about having to “tone down” his image just to perform a simple country music show. Let’s be clear: the U.S. has never been the safe space for every radical identity fantasy, nor should it be. The real America is built on common sense and tradition—not on bending over backward to accommodate every woke fad. And so, thanks to Trump’s policies that simply recognize biological reality by affirming there are two sexes—male and female—the delicate sensibilities of a minority queer performer are supposedly shattered.
‘Non-Binary Femme’ Singer Robert Adam Refuses to Perform His Queer Country Music in U.S. over Trump
~Don’t blame Trump when you encounter the massive Muslim outpouring of “love” when you get to Europe.they’ll literally throw you a “Roof party”… https://t.co/pJXphhOxx0
— Humoroid (@GarretLebois) May 6, 2025
But here’s the kicker: Adam’s refusal to perform in America over Trump’s return exposes a deep hypocrisy. The liberal elites and their globalist allies have spent years pushing divisive gender ideologies and infantilizing children with experimental sex-change drugs and bizarre classroom propaganda. Yet now, with Trump advocating for truth and sanity in public policy, suddenly the continent’s biggest market is “too hostile” for Robert Adam’s act. This isn’t about stress or fear—it’s about having the freedom to parade an identity politics agenda without encountering any resistance.
Worse still, instead of standing firm and trying to win over audiences at home, Adam is running off to safer, more “accepting” stages abroad—in places like the UK and Japan. Isn’t that telling? Canada-born Adam has no problem promoting his queer country music in foreign lands where the American values of honor, hard work, and simple decency don’t reign supreme. It’s yet another example of the cultural cold war where conservatives are painted as regressive and mean, while the woke leftists cozy up with global audiences hungry for thinly disguised grievance porn.
The real threat is not Trump. It’s the toxic, radical left’s insistence on rewriting reality to fit its ideology, and then expecting the rest of us to bend the knee. If we allow entertainers, musicians, and public figures to threaten boycotts over an administration that simply insists on common-sense policies, where does it end? When will the rest of America start demanding that artists respect the country’s values instead of forcing their fringe identities on the public?
Robert Adam’s tantrum is just another symptom of a society out of touch with itself—woke warriors throwing a fit when confronted with the bare minimum of biological truth. Country music is about real stories, real people, and hard truths—not identity politics and victimhood tours. If Robert Adam doesn’t like America’s standards, maybe it’s time to ask: who really doesn’t belong in our country’s culture?
